Everyday Celestial, my screen-looped paintings investigate the fluid boundaries between perception and reality, creating spaces that challenge fixed viewpoints and a singular reading.The paintings operate in a liminal space where multiple perspectives coexist and overlap. As viewers move around these works, different sight lines reveal themselves, creating a perpetually shifting experience that mirrors how we construct understanding through movement and time. The screens function as both physical and conceptual filters, simultaneously revealing and obscuring, suggesting that truth itself might be understood as a series of partial views rather than a single, fixed reality.
By emphasizing the periphery—those edges and intersections where one perspective bleeds into another—I explore fundamental questions about how we know what we know. The works resist easy categorization, existing instead in a transitional state where ontological certainties give way to epistemological inquiry. This approach suggests that meaning emerges not from stable positions but through the active process of perception itself, as viewers navigate the interplay between material presence and visual experience.
In this way, my practice is questioning how we construct reality through the accumulated experience of multiple, often contradictory, perspectives.
By emphasizing the periphery—those edges and intersections where one perspective bleeds into another—I explore fundamental questions about how we know what we know. The works resist easy categorization, existing instead in a transitional state where ontological certainties give way to epistemological inquiry. This approach suggests that meaning emerges not from stable positions but through the active process of perception itself, as viewers navigate the interplay between material presence and visual experience.
In this way, my practice is questioning how we construct reality through the accumulated experience of multiple, often contradictory, perspectives.